Robert Eichert writes: I could not agree more about SC-T’s music telling a story and there can also be interesting background to the music. Obviously, there is Hiawatha, faithfully keeping to Longfellow’s epic poem about love and loss among native Americans.
Jonathan Butcher writes: Up until 1900 Samuel Coleridge-Taylor (born in 1875) had had little to do with composing for the theatre. His main body of work was choral and orchestral and, of course, his most famous opus, and the one that catapulted him to fame, was his major oratorio, Hiawatha’s Wedding Feast. His involvement with the theatre, though Herbert Beerbohm Tree, with all its colourful characters, magic and intrigue, may well have been the very spark Coleridge-Taylor needed to spur him on to write his only full length opera. Continue reading