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- Articles from William J Zick’s Africlassical website
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- Chicago Philharmonic: For our 22/23 Symphonic Series opening concert, we’re paying homage to William Grant Still and Florence Price
- The Harlem Chamber Players: This Friday and Saturday: Our New Season Begins! Sept. 23 at 7 PM and Sept. 24 at 8 PM
- Chicago Sinfonietta: Mei-Ann Chen invites you to our Opening Weekend: Nkeiru OKOYE and Roberto SIERRA 7:30 PM Sept. 19, Symphony Center, Chicago
- ArtsKnoxville.com: University of Tennessee Symphony Orchestra in Adolphus Hailstork's Fanfare on "Amazing Grace" 4 PM Sept. 18 - FREE
- Decca Classics: SHEKU KANNEH-MASON: New album SONG out today
- Sister Songwriters Receive International Publication of Poetry
- Aaron Dworkin Interviews Mansi Shah, Curator of Colors of Classical Music!
- Intercultural Music Initiative Presents Liberian-Norwegian pianist Kamilla Arku and St. Louis based flutist Wendy Hymes Sunday October 9 @ 3 PM, St. Louis, MO
- AfroClassical Composers Inaugural In-Person Event featuring piano compositions by Dorothy Rudd-Moore, George Walker, R. Nathaniel Dett, Maria Thompson Corley
Tag Archives: orchestral
Toby Lyles writes: The music of composer William Grant Still was featured on the “Saturday Night at the Opera playlist of 01/21/2012” of Columbia University’s WKCR-FM. Still admired and was influenced by the works of Samuel Coleridge-Taylor.
Coleridge-Taylor’s ‘Christmas Overture’
Looking for five minutes of orchestral Christmas music which includes all the old favourite carols? Samuel Coleridge-Taylor’s Christmas Overture is probably just the ticket. Amongst the easily recognisable Christmas carol themes encompassed in the Overture are God rest you merry gentlemen, Good King Wenceslas and Hark … Continue reading
Posted in Music
Tagged Alfred Noyes, centenary, Christmas carols, Christmas Overture, orchestral, performance, planning, repertoire, scheduling, Sydney Baynes, The Forest of Wild Thyme
1 Comment
I would love to be able to include at least one of Samuel Coleridge Taylor’s works in celebration of his centenary. The problem is that I am limited to a classical size orchestra (2222 4200, timps, strings).
Coleridge-Taylor conducts his work in Liverpool (19 October 1908)
We have here photographs from an original published programme covering three concerts in the Fifth Season of the ‘Liverpool Symphony Orchestra Ltd’. The second of these was a concert in the Sun Hall, Kensington, on Monday, 19 October 1908 commencing at 8 pm, the latter half of which was works by Samuel Coleridge-Taylor, conducted by the composer himself. Continue reading
Samuel Coleridge-Taylor Foundation 